Dutch Tilt

Produced by Jaz Nuez and Damajah Heinemann

Music:
Lofi Chill Hop – 20 min mix by Ketsa
Free Music Archive
CC BY Ketsa

Starring:
Damajah Heinemann

This is one sampler video of eight.
Some of these different shots will all be used together into one “Director’s Cut,” showing the full story.

Why is Barnaby feeling uneasy? Is he feeling about the stress the college student is going through?

The Dutch Tilt Shot

Deliberately skews the camera on its x-axis so the horizon is no longer level, creating a diagonal composition that breaks visual balance.

Intent: To visually signal that something is “wrong,” disorienting, or “crooked” within the story’s reality.

Visual Tone: Unsettling, chaotic, and psychologically unstable.

Narrative Use: Typically appears during moments of intense drug use, mental breakdowns, or when a character realizes they are in a trap.

Result: Triggers a primal sense of unease in the viewer, as the brain instinctively tries to “straighten” the image, reflecting the character’s internal turmoil.

POV Shot

Produced by Jaz Nuez and Damajah Heinemann

Music:
Lofi Chill Hop – 20 min mix by Ketsa
Free Music Archive
CC BY Ketsa

Starring:
Damajah Heinemann

This is one sampler video of eight.
Some of these different shots will all be used together into one “Director’s Cut,” showing the full story.

What is she looking at? What was mailed to her?

The POV Shot

Captures the scene from the literal eyes of a character, turning the camera into a participant to make the audience experience their specific emotions and vision.

Intent: To create an intimate, subjective connection by forcing the audience to see exactly what the character sees, fostering deep empathy or immediate tension.

Visual Tone: Immersive, personal, and often kinetic or “shaky” to mimic human movement.

Narrative Use: Places the viewer directly into a character’s shoes during a moment of discovery, confrontation, or intense emotion, often used to hide the character’s own face to maintain mystery.

Result: Bridges the emotional distance between the audience and the story, making the viewer feel like they are “living” the scene rather than just watching it.

Establishing Shot

Produced by Jaz Nuez

Music:
Lofi Chill Hop mix by Ketsa
Free Music Archive
CC BY Ketsa

This is one sampler video of eight. These different shots will all be used together into one “Director’s Cut,” showing the full story.

Where are we in the world? What is the mood of this environment?

The Establishing Shot

Captures a wide or extreme-wide view of a location, typically at the beginning of a scene, to orient the audience to the physical and temporal setting.

Intent: To clearly define the “rules” of the space, showing the relationship between characters, objects, and their environment before the action begins.

Visual Tone: Informative, expansive, and immersive.

Narrative Use: Provides essential exposition, such as the time of day, the weather, or the transition from one major location to another.

Result: Removes ambiguity for the viewer by providing a “map” of the scene, allowing them to focus on the narrative without being confused by the layout of the space.

High and Low Angle

Starring: Alec Moore

Produced by Jaz Nuez

This is one sampler video of eight. These different shots will all be used together into one “Director’s Cut,” showing the full story.

The High Angle Shot – Captures the subject from above eye level, looking downward to physically and symbolically diminish their presence within the frame.

Intent: To make a subject appear small, weak, or overwhelmed by their surroundings.

Visual Tone: Diminished, precarious, and somber.

Narrative Use: Used to emphasize a character’s powerlessness, isolation, or the emotional weight of a heavy situation.

Result: Creates a feeling of empathy or concern in the audience, making the subject seem submissive or in danger.

The Low Angle Shot – Captures the subject from below eye level, looking upward to physically and symbolically elevate their presence within the frame.

Intent: To make a subject appear powerful, heroic, or intimidating by making them loom over the camera and the audience.

Visual Tone: Dominant, intense, and monumental.

Narrative Use: Often signals a shift in the power dynamic, highlighting a character’s authority, newfound confidence, or a looming threat.

Result: Evokes a sense of vulnerability in the viewer while establishing the subject as a formidable force in the story.

Over The Shoulder (OTS)

Music: Zoom by Jasto & ProtoRoshi

Starring: Alec Moore

Produced by Jaz Nuez

This is one sampler video of eight. These different shots will all be used together into one “Director’s Cut,” showing the full story.

What is he looking at? Whose perspective are we sharing? Does he belong in this space, or is he an outsider?

The Over-the-Shoulder Shot (OTS) Positions the camera behind one character, looking toward another subject or the environment, with the back of the foreground character’s head and shoulder framing the edge of the frame.

Intent: To establish a specific point of view and a physical connection between the character and whatever they are observing, creating a sense of shared space.

Visual Tone: Intimate, grounded, and subjective.

Narrative Use: Ideal for dialogue, emphasizing the relationship between two people, or drawing the audience into a character’s personal discovery by letting us “see through their eyes.”

Result: Functions as the “observer’s lens,” grounding the viewer in the character’s immediate reality and shifting the focus from the environment to the character’s reaction to it.

Long Shots (Wide Shot)

Music:
Zoom by Jasto & ProtoRoshi

Starring:
Alec Moore

Produced by Jaz Nuez

This is one sampler video of eight. These different shots will all be used together into one “Director’s Cut,” showing the full story.

How far has he walked? How long has he been out there? Is he going to see her?

The Long Shot (Wide Shot)
Captures the subject’s entire body from head to toe, prioritizing the relationship between the character and the vast space they inhabit.

Intent: To establish the scale of the setting and the subject’s physical position within it, emphasizing distance and context over individual detail.

Visual Tone: Cinematic, expansive, and observational.

Narrative Use: Ideal for establishing new locations, tracking movement across a landscape, or illustrating a character’s isolation or insignificance compared to their environment.

Result: Functions as the “world-builder’s lens,” providing the audience with a clear sense of geography and scope while shifting the focus from internal emotion to external atmosphere.

Medium Shots

Music:
Lofi Chill Hop – 20 min mix by Ketsa
Free Music Archive
CC BY Ketsa

Starring:
Alec Moore

Produced by Jaz Nuez

This is one sampler video of eight. These different shots will all be used together into one “Director’s Cut,” showing the full story.

How will he have to wait before he can see her again? What is the map for? Where is he going?

The Medium Shot (Mid Shot)

captures your subject from roughly the waist up, bridging the gap between their physical actions and their internal emotions.

-Intent: To capture a subject’s body language and facial expressions simultaneously, placing them within their immediate environment without losing personal intimacy.

-Visual Tone: Balanced, natural, and conversational.

-Narrative Use: Reveals how a character interacts with their surroundings or other people during dialogue and action sequences.

-Result: Functions as the “storyteller’s baseline,” providing enough detail to track the plot while keeping the audience emotionally grounded in the character’s perspective.

Extreme Close Up & Close Up Shots with Motives & Maps Topic

The Macro Lens (Extreme Close-Up)

Intent: To isolate a specific feature, transforming a small detail—like a nervous chin scratch or an eye twitch—into a monumental story beat.

Visual Tone: Sharp, detailed, and intense.

Narrative Use: Reveals a character’s “motive” through subtle thought or involuntary hand movements.

Result: Functions as a visual exclamation point, making the “invisible” impossible to ignore. 

The Long Journey (Close-Up)

Intent: To document the physical and emotional path the character is about to walk.

Visual Tone: Personal, focused, and momentous.

Narrative Use: Spotlights a character’s “motive” by framing their finger as it glides purposefully down a route on a map.

Result: Bypasses distractions to turn a simple action into a shared, intimate experience between the character and the audience. 

Story Board & Director’s Notes

*BLOOP* Something EPIC will be added here very soon! 🙂 Stay Tuned!

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